The original Magic is designed for digital SLR cameras, shooting available light stills or video, although can be used succesfully on compacts and video cameras. This filter is designed to work with the adjustable manual white balance of the camera, and give high image quality while working over a wide depth range and without causing too much loss of light.
The principle is similar to a traditional red filter. However, the Magic filter is not just a single colour, but a precise recipe derived from extensive real world underwater photography tests with digital cameras. Our recipe was derived by us for our own photography. It is not availble off the shelf and other filters sold for underwater photography do not use it. The original Magic filter looks orangey.
Magic Filters are designed to fit on all the common wide angle lenses used underwater by DSLR photographers – we supply 6 sizes for DSLRs. If you are after a filter for the popular Tokina 10-17mm click here. For compact cameras or other applications we provide a one size fits all 50x50mm square of filter – this can easily be cut to fit your lens with a pair of scissors.
The Magic not only makes underwater easy, it also solves the technical shortcomings of getting colour with flash. Flashguns cannot light up large subjects, but with a filter you can get colour over massive areas. Strobe light also falls off rapidly with distance, but with the filter you can taken shots where colour penetrates deep into the images away from the lens. Several new SLRS offer high definition video capabilities. Magic filters allow you to switch between shooting stills and video in full colour, and are the only filters designed for underwater use that fit on the popular fisheye lenses.
The original Magic Filter is designed to work with your cameras white balance, when set manually,to produces great results over as wide a depth range as possible. It will produce vibrantly coloured images from the surface down to 15m (50ft), and then subtler, more muted tones there after, which are still an improvement on reality. That said the filter is designed to work best for available light shooting, in clear blue water, on bright sunny days between 3 and 13m.